Vincent Glowinski

The root of Vincent Glowinski’s artistic practice is drawing.

His training started in morphology and anatomy classes, followed by extensive study sessions in natural history museums and menageries. These observation drawings of animal physiology, and around natural sciences in general, have since that time been a strong imprint in his artwork.

Since his arrival in Brussels, Vincent Glowinski gradually gained public acknowledgement. Through his alias Bonom, the artist produces a wide range of monumental and mysterious wall paintings that creates a wave of curiosity across the city. The artist’s anonyma turns his alter-ego in a public figure. 

Capturing movement is one of the main research of Vincent Glowinski: inspired by the work of Edward Muybridge and Jules Marey, he created « chrono photography frescoes » by painting on hundreds of meters of railway track
walls, dozens of images that decompose animal movements. The movement of the observer inside the train activates the movement of the work.